Voice tracking: sounding staffed when nobody is in the building

A presenter does not need to be on air to sound like they are. Recording links against the tracks they sit between is what separates a staffed sound from an automated one.

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Cue stops: handing control back to a human

Sometimes automation should stop on purpose. A cue stop is a marked handover point where the playlist waits for an operator.

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Keyboard shortcuts, and why they beat a mouse in a studio

An operator running a live show has both hands busy. Every action that needs a mouse is an action that happens more slowly than it should.

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How long should your crossfade be?

A single number applied everywhere is always wrong somewhere. Here is how the setting actually behaves, including on very short items.

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Building a morning show that runs itself until the presenter arrives

A worked example: the 05:00 to 07:00 block, assembled the evening before, using rotation clocks, voice tracks, the clock wheel and cue stops.

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Handling news drop-ins and live segments

Three different mechanisms cover three different kinds of interruption. Choosing the wrong one is why some stations fight their automation.

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Locking and replacing: editing a generated hour without rebuilding it

A generated hour is a starting point, not a verdict. Two commands let you correct it without losing the parts that were right.

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AI show prep: notes generated from the playlist you are about to run

Show prep is the work presenters skip when time is short. Generating a first draft from the actual running order makes it likelier to happen.

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The batch jobs worth running before you trust a library

Three background jobs turn a folder of files into a library you can schedule against. Run them once, benefit indefinitely.

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A first-week checklist for a new PlayOnRadio installation

What to set up, in what order, and what to check at the end of the first week before you rely on it unattended.

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